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celebrating national coffee day the only way i know how » 


Harry in his natural habitat

harry: *grows out hair*
harry: *wears earrings*
harry: *wears women's clothes*
harry: *paints nails*
harry: *gives self breasts*
harry: *makes self look pregnant*
harry: *does everything possible related to women and femininity*
fandom: *acts disgusted and bullies harry while dismissing all possibility of harry being any gender other than cis*
harry: *grows a bit of facial hair*
me: *bangs head against wall*


fond adj

  • having a strong liking, inclination, or affection
  • affectionate; tender
  • immoderately affectionate or indulgent; doting
  • cherished; dear


Louis’ family LOVES Harry.

Harry LOVES Louis’ family.

Louis LOVES Harry & Harry LOVES Louis.



Im gonna let you finish but….
That picture of Harry styles on January 11, 2014 looks like it’s in an airport car garage.
I’m not saying that’s the day we all collectively agreed that Louis left his game and flew to LA buttttttt
What I am saying is Jeff always sits in the back of the car and why would he sit in the back if someone isn’t sitting in the front.
Think what you want.
*drops mic*

Azoff Photographs




I was SLEEPING when all of this went down (weak, I know). Thanks to everyone who did summary posts and created tags. For my own purposes, I wanted to put together a post with everything embedded, so here it is.

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Eleanor hasn't been together with Louis since he was 16, same goes for Liam and Sophia. So it's not a song about the girlfriends. Maybe i will like it after all? → Anonymous


She’s been my queen since we were sixteen/ We want the same things/ We dream the same dreams, alright?”

Can I just say that 'sixteen', 'seventeen', 'eighteen' and ‘nineteen’ all rhyme with 'queen', so picking this age, particularly at a time they they’re trying to level up their audience and appeal to older demographics, was probably pretty deliberate. 

And you know which couple had someone who WAS sixteen when they got together? 

But you know what? Even if this is just a generic fictional hetero love song, the fact that the lyrics are detailing a shared history and connection, instead of more proprietary language makes me feel better about it.

Either way I’ve got my fingers crossed that maybe it won’t be the total problematic, anti-female-autonomy-anthem we’ve been fearing. 

One Direction have little to worry about when it comes to their rivals trying to steal the boyband crown. Their upcoming album Four hit number one on 65 iTunes charts across the world two whole months before it’s even released, waiting to add to the 94 official chart-topping positions they’ve already achieved in their career so far.

However, if its lead single ‘Steal My Girl’ is anything to go by, the five-piece are a little vulnerable when it comes to potential love rivals. "She’s been my queen since we were sixteen/ We want the same things/ We dream the same dreams, alright?" Zayn warns on the opening line - and it’s the perfectly-quiffed crooner who takes centre stage for most of the track.

Co-written by Louis and Liam, along with Ed Drewett, Wayne Hector, Julian Bunetta and John Ryan (the ‘Best Song Ever’ dream team), ‘Steal My Girl’ begins with a jubilant Elton-meets-ABBA piano line, before it flits between the bouncy riff with added skittering electronics, and light bass guitar strums. It’s a minor departure from what we’ve come to expect from a One Direction lead single, but not so much that it would feel out of place at one of their sold-out shows.

The premise is simple: these guys are head over heels for their childhood sweethearts (“I got it all ‘cos she is the one/ Her mum calls me ‘love’, her dad calls me ‘son’, alright.”), and this is a stadium-sized caution for prying scallywags to stay away. Even if "every jaw drops when she’s in those jeans, alright."

Zayn shines on the mid-tempo anthem - especially when he climbs into his magnificent ‘You and I’-styled high note for the final chorus - while Niall’s “I know, I know” on the bridge, and the epic “Na, na, na, na, na” refrain instantly lodges itself in your brain. Sure, it’s pop by numbers, but it’s very, very good pop by numbers.

Is this the more mature sound One Direction have been teasing? No, but it’s a solid transitional song that will likely lead into the slightly more ‘Fireproof’ adult contemporary crossover vibe for the remainder of Four. Do we think this is another number one hit for the group? Of course it is! It swoops, it soars - and most importantly, it’s insanely catchy.


video diaries to where we are tour